They will remain on the other side of the Rhine in the collection there until 2021. In the Ingelheim Museum near the Imperial Palace, there were only copies of the "oldest known Ingelheimer" for a long time. Over the decades, the statues have been scientifically examined several times. Ferdinand Kutsch recognized their outstanding quality as early as 1930 when he compared them to sculptures from the Roman burial road in nearby Mainz-Weisenau. He states that the Ingelheim figures have "a certain noble demeanor" and their heads live "from within": "There is throbbing under the skin and there is emotional tension in the face, (there) still lives a little spirituality in the Greek sense, and that is exactly what makes them stand out." The archaeologist Walburg Boppert agreed with this judgment in 2005 when, as part of her investigation of the Weisenau Gräberstraße, she described "the Ingelheim grave figures as the most successful works". Experts also agree on the dating: the Statues must have been made in the time of Emperor Claudius, i.e. around AD 50. Comparisons with other tombstones in the region from this period, such as that of the skipper Blussus and his wife Menimane, even suggest that the Ingelheim figures were made in the same workshop (the so-called Blussus-Annaius workshop).

In Ingelheim itself, the grave figures stood for a long time in the shadow of Charlemagne's Palatinate. With the return of the originals to Ingelheim and their digital reconstruction as part of a monument up to 15 meters high in its original context, the ancient works of art can now be admired again where they impressed so many travelers on the Roman trunk road around 2000 years ago should.